"Awakening Earth: Narratives of Spring" celebrates the cyclical dance of life, where death and dormancy give way to life and vibrancy. It reflects on the broader implications of growth and renewal in our lives and communities, prompting a dialogue on how the themes of bloom and rejuvenation can inspire positive change. This encourages us to consider our roles in nurturing and protecting the environment that sustains us.

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Sergio Gomez Curates

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This is my painting Walking on Water. A large mixed media on canvas work. I rarely work from a photo but I did for this one. Swipe left to see details and the original photo of my daughter walking on the edge of a river in Michigan where the picture
From the series Healing, three works hanging side by side. Each one is one individual. I like to think of them as doors to another side. At each door, there is a person waiting. I'm not sure if they want to come into our world or we want to go into t
🌱I'm in a season of introspection and evolution in my art. I usually do that every Spring as the plants and 🌼 flowers beging to bloom. I feel it is a good time for me to renew and refresh💧 I am preparing to start my next series and I'm really th
📌Are you considering participating or creating your own virtual reality exhibitions? Let's talk about that in Clubhouse. Join @caroline_karp_artist and me (Sergio) as we co-host a live chat in @clubhouse this Tuesday, March 16 at 7:00 pm CST. Come a
Chronicles of Isolation online exhibition is now open! An online exhibition experience curated by Sergio Gomez exploring aspects of the isolation. The exhibition features the works of 65 artists from around the world that in some way document, analyz
💥OPENING, NONDAY MARCH 15. Isolation Chronicles. An online exhibition experience curated by Sergio Gomez exploring aspects of the isolation. The exhibition asks artists to submit works created during 2020 that in some way document, analyze or makes
My art is informed by the cycles of life, from birth to death and by our spiritual awareness throughout those cycles. I'm interested in the presence of the individual not the likeness. That is why I don't paint realistic figures. I careless how peopl